2026–2028 Fellowships in Egyptian Art or Islamic Art
Egyptian Art
Fifty years after first unveiling its galleries dedicated to Old Kingdom art, the Department of Egyptian Art is embarking on a transformative new project. This initiative aims to reimagine the presentation of sculpture, relief, and other types of objects in the collections’ introductory galleries. Over the decades, gallery installations have explored a range of themes, often in dialogue with changing perspectives in scholarship and The Met’s exhibitions, Egyptian Art in the Age of the Pyramids (1999–2000) and Dawn of Egyptian Art (2012). Now, half a century later, the Department is seizing this moment to reflect on how current and future narratives can be meaningfully conveyed in these spaces.
The objects on view illuminate the work of Egypt’s earliest artists—those who experimented with form and expression before the formal conventions of Egyptian art were fully established—as well as the achievements of master craftsmen from the age of the pyramids, whose work reveals remarkable observation and sensitivity. Recent scholarship, however, has prompted new perspectives on art and culture in these periods, such as the importance of sites outside the capital and the ever-changing dynamic between the king and his elite, calling for a fresh approach as to how we introduce Egyptian art, culture, and language to our many visitors.
The Andrew W. Mellon Postdoctoral Curatorial Fellowship in the Department of Egyptian Art 2026–2028 provides an opportunity to engage deeply with this work. The fellow will gain curatorial experience and training through working closely with curators in the department on the study and interpretation of artworks from Egypt’s earliest days to the end of the third millennium BCE. A key aspect of the fellow’s project will involve tracing their biographies from their ancient origins to their modern histories. This project will play a vital role in shaping the Department’s curatorial vision and storytelling within these galleries. In addition, the fellow will participate fully in Fellowship Program activities. Ideal candidates will have a specialization in Egyptology or adjacent fields, with a keen interest in material culture, curatorial practice, and museum work. Proficiency in German and French is required.
Learn more about the Department of Egyptian Art.
Islamic Art
The Andrew W. Mellon Postdoctoral Curatorial Fellowship in the Department of Islamic Art 2026–2028 will provide significant curatorial training through work on the upcoming exhibition Jahangir: Emperor, Connoisseur, Naturalist of Mughal India, 1605–27 (working title), scheduled to open in Spring 2028. Working closely with the curator of the exhibition, the fellow will develop advanced skills and gain experience in the following areas of art museum curation: art historical and historical research on objects, provenance research and ownership history of the objects, catalogue development, writing gallery labels and didactics, developing digital/web features and resources, addressing conservation, installation, and design issues, and outreach and academic exchange. The fellow will also have the opportunity to contribute original research to the exhibition. In addition, the fellow will participate fully in Fellowship Program activities and departmental activities outside of the exhibition. The ideal applicant should have an academic specialization in the field of Mughal or Persian art history (ideally textiles, carpets, or painting); knowledge of individual artists of the period, as well as the wider history and context of the early modern age; Persian and Devanagari reading skills; knowledge of the materiality and techniques of a specific area of Indo-Persian art production; good writing skills; and some experience with connoisseurship and aesthetic appreciation.
About the Exhibition
The Met plans to present an exhibition on the patronage of the Mughal emperor Jahangir. The Mughal era was one of great accomplishment and inspiration in the arts. Under Jahangir, the fourth ruler in the dynasty, the art of painting, in particular, saw important developments as court artists such as Aqa Riza, Abu’l Hasan, and Ustad Mansur, reached new heights. Jahangir was also an avid collector and, together with his queen Nur Jahan and certain other figures at court, an active patron of hardstone jade carving, the jeweled arts, and textiles, among other things.
The exhibition seeks to bring together an outstanding selection of works of art of the period to illuminate Jahangir’s extraordinary patronage within the context of wider artistic and cultural exchange in the early modern age. From a sweeping cultural landscape of great diversity to intimate and refined works of art of stupendous quality, the artworks will also relate to Jahangir’s captivating personal memoir, the Jahangirnama.
The exhibition will aim to awaken visitors to the art of the period through a connoisseurly presentation, which breaks ground in terms of scholarship and advancement of the field. The diversity of Indian art and culture, even within a concentrated period, will become apparent, as Indian, Persian, and European art styles harmonize at the Mughal court.
Learn more about the Department of Islamic Art.
