Museum of Arts and Design Appoints Elissa Auther as Deputy Director of Curatorial Affairs & Chief Curator
The Museum of Arts and Design (MAD) has announced the appointment of Elissa Auther to the position of Deputy Director of Curatorial Affairs and William and Mildred Lasdon Chief Curator, effective immediately. In this role, Auther will collaborate with Nanette L. Laitman Director Chris Scoates to create diverse exhibition programs and collections, foster relationships with artists and designers, and develop forward-looking strategies for engaging a broad audience.
“In her new leadership position at MAD, she will help define and reshape the important questions driving the dialogue and direction of art and design in the twenty-first century.” said Scoates.
In December 2014, Auther joined MAD as its inaugural Windgate Research and Collections Curator, a position funded by the Windgate Charitable Foundation. In this role, Auther led an educational and curatorial partnership between the Museum of Arts and Design and Bard Graduate Center that has increased the visibility of craft and design in art history and the contemporary art world.
Auther has mounted four major exhibitions at MAD, including Vera Paints a Scarf (2019–2020), the first comprehensive exhibition devoted to the work of textile designer and entrepreneur Vera Neumann (1907–1993); and the critically acclaimed Surface/Depth: The Decorative After Miriam Schapiro (2018), which examined the influence of the feminist re-appropriation of craft and the decorative in the work of a diverse range of artists, including Sanford Biggers, Ruth Root, Jasmin Sian, Edie Fake, Jeffrey Gibson, and Sara Rahbar, among others.
“I am thrilled to be named Chief Curator at this pivotal moment for the Museum”, Auther said, “at a time when makers of all kinds are being swiftly assimilated into the larger art historical narrative, MAD is uniquely positioned to guide that conversation forward. I am very excited to collaborate with my colleagues to break down the divisions between art, craft, and design, while advancing scholarship of the rich history from which this museum was formed.”
Auther joined MAD from the University of Colorado, where she served as an Associate Professor of Contemporary Art and Director of the Art History and Museum Studies Program from 2003– 2014. Concurrently, Auther held an Adjunct Curator position at the Museum of Contemporary Art Denver and co-directed Feminism & Co.: Art, Sex, Politics, a series of public programs that created access to critical debates surrounding feminist issues through the lens of creative practice, from performance to hands-on making.
During the course of her career, Auther has curated three, large-scale touring exhibitions with accompanying publications. Co-curated with Bill Arning, Pretty/Dirty (2015–2016), the retrospective of painter and photographer Marilyn Minter; West of Center: The Counterculture Experiment in America, 1965–1977 (2011–2012), co-curated with Adam Lerner, examined the counterculture’s unique integration of art, political action, and collaborative life activities. Improvisational Gestures (2016–2018), co-curated with Nora Burnett Abrams, marked the first survey exhibition of sculptor and performance artist Senga Nengudi.
Prior to joining the University of Colorado, Auther taught at the University of Cincinnati in the School of Art, Architecture, Design and Planning from 2000–2002. She has published widely, from books and exhibition catalogues to numerous essays and journal articles. Auther holds a Ph.D. in the History of Art from the University of Maryland, and a BA in the History of Art from San Francisco State University.
