Art Criticism and Writing: an Introduction
Duration: Apr 08 – May 6, 2021
Fee: 172€
Max seats: 32
Enroll before: Apr 4, 2021
Dedication: 3 hrs/week
Art criticism is essential to the development of a dynamic and vibrant art scene and tradition. In curatorial and artistic practice, good writing skills combined with a critical mindset are a necessity on various levels, such as applying for funding, presenting an exhibition project, writing texts for catalogues, press releases, and about the art pieces in the show.
This is a very hands-on course, filled with in-class exercises, active engagement and assignments. In this course we will dedicate ourselves to the writing of short-form art critical reviews. We will learn how to formulate an idea with clarity, how to analyze and evaluate art and its display in a thoughtful, meaningful way. A range of critical methods as well as different outlets (art magazine, newspaper, blog,etc.) are discussed.
With stage-by-stage guidance the participants are supported in their endeavor to experiment, to be creative, and especially to develop their own style. So we exercise, sharpen and shape both imagination and skill. Writing about art has no template, in the workshop we treat it as an evolving social form.
Week 1. Introduction
- Introduction to the program and course overview.
- This is a one-hour-only welcome session. The lecturer will introduce the program and participants will introduce themselves. No prior preparation is necessary.
Week 2.
- the position of critical writing in the contemporary art world.
- the difficulties and opportunities of writing and publishing art criticism
- examining examples of art criticism: questioning and challenging clichés and jargons of the genre
- reflection: can we define the characteristics of good art critical writing?
- homework: creating a “pillow book list”
Week 3.
- discussion of art and its qualities
- writing about exhibition displays: strategies, tools, and parameters of forming your opinion of an exhibition
- homework: writing exercise (involves visiting an exhibition opening)
Week 4.
- feedback and workshopping texts
- subjectivity and objectivity in critical writing: how are you positioned?
- homework: writing exercise
Week 5.
- workshopping texts
- the advantages/disadvantages of various formats, such as blogging, reportage, etc.
- negotiating fees for writing and the benefit of saying no/yes
An Paenhuysen is a freelance writer, curator, and arts educator. She has curated exhibitions at the Hamburger Bahnhof – Museum of Contemporary Art, Berlin as well as the exhibition Gesture Sign Art, Deaf Culture / Hearing Culture in Kunstraum Kreuzberg/Bethanien in Berlin. She published a book about the Belgian avant-garde, she has written for exhibition catalogues and for art magazines such as Spex, Artslant, and WhiteHotMagazine.
http://www.anpaenhuysen.de