Programs 2022/23 – School for Curatorial Studies Venice

New programs 2022/2023 – School for Curatorial Studies

Everything you need to know about curating and organizing an exhibition or a pavilion at the (Venice) Biennale.
What is necessary to know about permissions, promotion, funding and more…to make a successful event.
11.10 – 04.11.2022

Deadline: 29 September 2022

The Venice Biennale is a large-scale international contemporary art exhibition. In early May, thousands of art-world denizens descend in the city for the opening of a new edition of the Biennale, the closely watched pageant of contemporary art that has been running—with a few interruptions—since 1895. The Biennale is arguably the most prestigious exhibition in the world, filled with history and also cloaked in myth.The preview days brings 25,000 artists, collectors, curators, museum directors and journalists into the city, followed by 600,000 visitors in the six months after. For this reason it is extremely important to know how everything works.

What is the Venice Biennale and why everybody wants to be present. Identification of the keys points that all participants need to know before facing such import event.

Session 2. 14.10.2022

First step the location. How to find the ideal location. Even though the city is small, for the Venice Biennale you need to be in a good quarter. How to find the right location. Prices. The place makes the difference.

Session 3. 18.10.2022

Step 2. What do you need to know about your location. The exhibition space is in the Arsenale? Inside of the Biennale? Then is very important to know which are the rules to respect, the permissions you need and the best suppliers you can get.

Session 4. 21.10.2022

Organizing your event in a place located in the city: the things changes and there are other permissions you need to provide, rules to respect, and of course the suppliers.

Session 5. 25.10.2022

How to promote an event during the Biennale: this is the most intensive period and a part for the main exhibition organized by the Biennale, you have at least 300 more competitors. In the city during the Venice Biennale there almost 500 of shows, events and projects.

Timing and strategies is a key point in order to have a successful event.

Session 6.

Collateral events can be a good strategy to keep and attract the attention on your initiative. When is a collateral program useful for the promotion of your show and how should it work: dinners, parties, conference, workshop and presentation.

Session 7. – 01.11.2022

Venice is a tough city! No cars, therefore transports are only on boats. All about logistic: transports and suppliers. Taxi and restaurants. Hotels and flats. When you should start booking and arranging all these fundamental matters.

Session 8. – 04.11.2022

What you should not do at the Venice Biennale. Some key scenarios which should absolutely avoided.

The fee is 590 euro.

Our Online Delivery Method Online Study Lectures effectively run over the week – Tuesday and Friday from 6pm to 8pm CET – maintaining our usual tours’ focused, intensive and immersive experience.

Live Seminars – Each lecture is two hours long at the end of each lecture we will have a half an hour for questions and discussions. Your tutor will hold live seminars with you and Google.meet discussions are accessed via a web-link which we will email to you. These sessions enable you to ‘meet’ your tutor and fellow students. To participate you will only need an internet enabled device; you do not need a Google.meet account. If you have questions that you were not able to raise in the discussions, you will also be able to communicate with your tutor by email.

PROGRAM IN PRESENCE:

CORSO IN PRATICHE CURATORIALI E ARTE CONTEMPORANEA

10 January – 31 May 2023

Deadline 10 October 2022

The course in Curatorial Practice is an Italian-taught, intensive program on the history of contemporary visual arts and practices of exhibition-making. Through interdisciplinary lectures, the course provides practical training and experience within museums and exhibition settings. Its international faculty includes curators and museum professionals, artists and critics. The course is designed to increase the students understanding of the intellectual and technical tasks of the curator figure related to the set up of exhibitions and projects. The lectures cover both theoretical and practical topics that go from History of Exhibition to Exhibition Management.

More info: www.corsocuratori.com