Online course by Node Center with Sylvia Sadzinski
Duration: Jan 21 – Feb 18, 2021
Fee: 172€
Max seats: 30
Enroll before: Jan 17, 2021
Dedication: 30 hrs/week
*December Special: 15% off all our courses. Discount code: BYE2020
This course gives an introduction to queer theories, queer art practices and to ongoing conversations about forms and methods of queer exhibition-making. Queer curating not only relates to a better representation of the diversity of gender and sexuality in collections and exhibitions, it also addresses how this can be achieved. Queer curating challenges the museum and exhibition as normalizing entities, where meanings are created and binary and heteronormative structures are reinforced.
This course will explore specific practices that question heteronormative and binary settings and conventional artistic and curatorial processes. Participants will receive a grounding in the history of queer art and the most important exhibitions dealing with LGBTIQ+ representations and discourses. Since the important question in processes of queering exhibitions is not only what is presented but also how it is presented, this course will explore potential future directions in curating from a queer perspective. In particular, the course will provide inspiration for rethinking exhibitions, collections, art mediation and education as well as personnel policies, and will encourage participants to set new thematic priorities.
Each week, participants will be given a reading list including visual material and assignments to hone your knowledge.
Sylvia Sadzinski is a curator, lecturer and researcher with a particular interest in queer and feminist epistemologies, visual resistance practices, affect theories, body politics, and questions about queer and feminist curating. She is artistic co-director of the feminist art space alpha nova & galerie futura in Berlin and was curator of Galerie im Turm and curatorial trainee at Kunstraum Kreuzberg/Bethanien (2017-2019). Since 2012, she has been curating exhibitions and developing several cultural projects, among others for Schwules Museum Berlin and STWST Linz or together with the project space Neue Berliner Räume in close collaboration with partners such as C/O Berlin and Kunsthaus Dahlem. She was a research assistant at the Department of Women’s and Gender Studies at the Johannes Kepler University of Linz and she regularly holds lectureships at various international universities in the field of queer and feminist visual culture.
Program
Week 1. Introduction
Introduction to the program and course overview.
This is a one hour only welcome session. The lecturer will introduce the program and participants will introduce themselves. No prior preparation is necessary.
Week 2. Theory: LGBTI+ or Queer?
key theories and texts
politics of visibility and representation and beyond
intersectional approaches
In this week, participants will learn about the essential theoretical and political foundations of queer theory and queer politics. The goal is to understand that queer theory aims above all to describe ‘normal(-ization)’ as a social mode and also to criticize it as a power structure.
Week 3. Art Practice: Revolt They Say
key artists and works
artists’ queer tactics and concepts
queer as a political and institutional critique
Week two will introduce participants to some of the most important artists and works dealing with queer topics and approaches. It will present a wide range of queer art practices from diverse social and cultural contexts. This section will show how artists have used the concept of queer as a tool for critique, as a mode of resistance, and to expand notions of art by visualizing the nonnormative and alternative approaches to social action.
Week 4. Case Studies: Queer(ing) Exhibition-Making
important exhibitions and venues
discursive exhibitions about AIDS, identity politics, desire, kinship, etc.
exhibiting contemporary queer art
By looking at exhibitions and venues, week three will focus on how queer activist, artistic and epistemological tactics manifest in cuatorial practices. This session helps to gain an understanding of topics and approaches that have been at the center of queer exhibition-making since the early 1980s and what unites and what distinguishes them.
Week 5. Curatorial Practice: What is Queer Today Might not be Queer Tomorrow
concepts, questions and limitations of queer curating
approaches to queering exhibitions and collections
queer art mediation
In the final week of the course, participants will reach an understanding of queer as a pluralist and constantly renewing concept. They will reflect on potential tools and the limitations of how to re-engage them in their own future practices. Participants will develop ideas of ‘queering’ regarding curatorial concepts, collections, personnel policies as well as queer art education.
© Marsha P. Johnson, Joseph Ratanski and Sylvia Rivera in the 1973 NYC Gay Pride Parade by Gary LeGault
